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Series 4: 3. Cardiff
Art detectives Bendor Grosvenor and Emma Dabiri travel to the National Museum Cardiff to investigate a badly overpainted Madonna, currently attributed to a follower of Botticelli, that shows signs of being worthy of investigation. Bendor believes the picture is good enough to warrant an attribution to Botticelli’s workshop, and conservation may reveal evidence of the hand of the master himself. Cleaning the picture confirms that a faker had tried to artificially age the panel. \n\nBendor then travels to Florence to explore the early Renaissance, and the life and work of Botticelli, hoping to find evidence that will support a new attribution. Meanwhile, Emma Dabiri explores the story of the two immensely wealthy Welsh sisters who donated the work to the museum, and discovers how they tried to bring about their own renaissance in the cultural life of their native Wales.
Source: BBC 4
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Series 5: 3. Glasgow
Britain’s premier art detectives, Bendor Grosvenor and Emma Dabiri, are on the hunt to find and restore one of the nation’s great lost masterpieces. Can a mysterious ...
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Series 4: 1. Oxford
In the Bodleian Library in Oxford, Dr Bendor Grosvenor identifies a portrait of a fellow of Merton College from the 1750s, George Oakley Aldrich. It is not known who painted the ...
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Could two anonymous landscape paintings, discovered at Birmingham Art Gallery, be by artists whose work profoundly influenced the development of European landscape painting in t ...
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Series 4: 3. Cardiff
Art detectives Bendor Grosvenor and Emma Dabiri travel to the National Museum Cardiff to investigate a badly overpainted Madonna, currently attributed to a follower of Botticell ...
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